Lhasa was not Shangrila.
The capital city of Tibet was dirty and lacked sanitation; books and
recreation were hard to come by; the diet was limited; medicine was
more shamanistic than practical; and technology (even the wheel) was
looked upon with suspicion. Even so, it was a city easy for the Western
imagination to fall in love with; laughter was a constant; curiosity
and pleasure were valued beyond industry; and inspite of a rigorous
religiosity, the Tibetans were perhaps the least moralizing people
of the modern era.
It’s with a great breath of mountain air that Harrar references
the guilelessness of his hosts; how for instance laughter was a constant
and jokes, retold century after century, never failed to
solicit
mirth. Curiousity, religion, and pleasure were all valued beyond industry.
An earthworm in a shovel of dirt would stop the construction of a
ditch, the departure of a friend would require elaborate farewells,
and the changing of a season would require the performance of one
ritual or another. Festivals, parties, and social interactions kept
Lhasans engaged -- modernity’s harried pace most emphatically
did not.
I mention this at the outset as a way of explaining why Seven Years
in Tibet has endured as an adventurer’s tale. Apart from the
power of its narrative and quality of Harrar’s prose, it proves
exactly what every wanderer wants to believe; that he or she can stumble
away from the complexities of today (a British POW camp) into the
simplicity of yesterday (Lhasa circa 1940). It’s escapist literature
writ large. And more-over, its literal.
Harrar arrived in Lhasa unbidden, unwelcome, and on the lam from
a British internment camp. Tenacity brought him through the city’s
defenses. The size of his heart endeared him to the locals. In anecdote
after anecdote we are reminded that he gave as much as he was given.
– translation services, medical advice, engineering …
At first a novelty in the capital, he soon became indispensable, and
later a fixture.
Essentially, Harrar escaped WWII, and rode out the war in a place
as far removed from the conflict as was culturally and geographically
possible. The fact that he was a German citizen figures into it only
tangentially; serving, more than anything, to illustrate what it means
to be a decent human being, while one’s countrymen are being
horribly indecent … he never deigns to impose his values, language
or politics. And while perpetually curious, he is never curious in
the way the throngs descending on travel hotspots today are.
Granted, his primary motivations were self-motivated (escape and
curiosity), but each action was self-less. And, while it all must
have been terribly complex … what with geopolitical and practical
issues … none of it seems to have been complicated at all. From
the escape attempts to the engineering of waterworks, and construction
of a movie theatre Harrar takes his situation in hand and continues
apace. While there are instances where he records being homesick (Christmas
in Lhasa), for the most part he conveys the feeling that there is
no place he’d rather be. It’s this trait exactly that
makes his account as endearing and enduring as it is.
That said, no one would care a whit about Harrar’s, Seven Years
in Tibet if it weren’t written well, or failed to intersect
with the contemporary zeitgeist. Like Joshua Slocum’s, Sailing
Alone Around the World, it’s an example of a non-writer penning
an account of first class narrative and literary power. And like Cherry-Gerrards,
The Worst Journey in the World, it isn’t so much timeless, as
it is modern in the proper sense … the prose, content and subject
all seem perfectly suited to readers many decades later. There is
none of that awkward disconnect between presentation and content that
readers of late 19th century adventure literature will be familiar
with. It is direct. It feels honest. And it is not couched in acres
of excess verbiage. Readers will get from point A to point Z and will
have hardly sensed the passage. It fits somehow, with where we are
today. For a variety of reasons it will engage the millennial mind.
Ps.
At the risk of banging on a last point should be touched on …
religion obviously played a role in determining the characteristics
of the nation … Tibet was a theocracy with its fingers in every
pie. Feudal overlords managed the provinces, monks and governors with
inherited privilege governed Lhasa. Unlike our so many of our contemporary
religious leaders however, the Tibetans were able to accept and revere
the faith of outsiders. To their detriment, they remained neutral
during the war … a neutrality that may contributed to the invasion
by China and ultimate dismantling of Tibetan culture.
In the Epilogue written in 1996, Harrar makes note of the 1.2million
Tibetans who lost their lives to the conflict, and near complete ransacking
of the nation’s 6,000 monasteries and shrines. It had to have
been a horrible introduction to modernity. And alas, it was the last
nail in the coffin of our Western dreams of Shangrila.
Pss.
Readers wishing to read a contemporary account of the region should
check out Wickliffe Walker’s, Courting the Diamond Sow. It’s
an account of the fated first descent of the Tsangpo by American kayakers.
It travels through much of the spiritual terrain traversed by Heinrich
Harrar. A great companion piece.
Trevor Paetkau
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